狐狗狸刺青（こっくりさんタトゥー）
2008
ビデオ（3分43秒）、ラムダプリント
Courtesy of the artist, ANOMALY and MUJIN-TO ProductionKOKKURISAN TATTOO
2008
video (3’ 43”), lambda print 84.1×59.4cm
Courtesy of the artist, ANOMALY and MUJIN-TO Production

Piss Building
2018
エリイのおしっこ、セメント
Photo:Kenji Morita
Courtesy of the artist and ANOMALYPiss Building
2018
Photo: Kenji Morita
Courtesy of the artist and ANOMALY

Piss Building
2018
エリイのおしっこ、セメント
Photo:Kenji Morita
Courtesy of the artist and ANOMALYPiss Building
2018
Photo: Kenji Morita
Courtesy of the artist and ANOMALY

くるくるパーティー
2009
実際に行ったホームパーティーの乱痴気騒ぎを、映像と食品サンプルで再現したインスタレーション。
Courtesy of the artist and ANOMALYKurukuru Party
2009
This installation work restaged the mess of a home party, that was actually held, in the gallery space with videos and food replicas.
Courtesy of the artist and ANOMALY

Making of the 即身仏
2009
パフォーマンス
Photo：Umekawa Yoshimitsu
「日本ミイラ」とも呼ばれる即身仏は、現在、死体としてではなく、主に仏像として扱われ、ときに観光資源となっている。そこで、本来の技術や過程を経ることなく、即身仏のメイキングに挑戦した作品。
Courtesy of the artist and ANOMALYMaking of the 'Sokushinbutsu (Living body Buddha)'
2009
Photo: Umekawa Yoshimitsu
The so-called "Japanese mummy" Sokushinbutsu [a man who makes himself into a mummy by his own will] is today dealt with not as a dead body but as a Buddhist sculpture and sometimes as a tourist attraction. This work attempts to make Sokushinbutsu, though not through the proper methods and procedures.
Courtesy of the artist and ANOMALY

Making of the 即身仏
2009
展示風景：「にんげんていいな」（山本現代、東京、2009年）
Photo: Kioku Keizo
Courtesy of YAMAMOTO GENDAI
《くるくるパーティー》が展示された「にんげんていいな」展(山本現代)の会期中、断食に近い状況で痩せていった稲岡は、最終日までに18キロ減量、ほぼミイラのようなフォルムとなって、彫刻作品として展示された。後に西尾康之、風間サチコ、梅川良満は、この展示にインスパイアされた作品をそれぞれ制作、「ミイラっていいな」展(山本現代)で発表した。
Courtesy of the artist and ANOMALYMaking of the 'Sokushinbutsu (Living body Buddha)'
2009
Installation view: "Good to be human"(YAMAMOTO GENDAI, Tokyo, Japan, 2009)
Photo: Kioku Keizo
Courtesy of YAMAMOTO GENDAI
Throughout the exhibition period of Good to be human (at YAMAMOTO GENDAI) featuring Kurukuru Party, Inaoka shown as a sculpture, went on a fast and lost 18 kg by the end, almost becoming a figure of a mummy himself. Later, artists Nishio Yasuyuki, Kazama Sachiko, and Umekawa Yoshimitsu produced works inspired by this exhibition, and all of these works were later shown at Good to be a mummy exhibition (at YAMAMOTO GENDAI).
Courtesy of the artist and ANOMALY

ピカピカ・レーザー
2005 ビデオ（2分42秒）
Courtesy of the artistPika Pika Laser
2005 Video (2min.42sec.)
Courtesy of the artist

ERIGERO
2005
ビデオ（5分59秒）
Courtesy of the artist, ANOMALY and MUJIN-TO ProductionERIGERO
2005
Video (5’ 59”)
Courtesy of the artist, ANOMALY and MUJIN-TO Production

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist

ハッピーサマー2005
2006 ビデオ（8分5秒）
Courtesy of the artistHappy Summer 2005
2006 Video (8min.5sec.)
Courtesy of the artist