道(Street) | Chim↑Pom from Smappa!Group

--- Project Index: BENTEN 2024BENTEN 2024 2024
ナラッキーNa-Lucky 2023
DOBUROKGEOLLIDOBUROKGEOLLI 2022
いつのことだか思いだしてごらん 2022
改名Name Change 2022
くらいんぐみゅーじあむCrying Museum 2022
SUNSUN 2022
はい、こんにちは Hello There 2020
May, 2020, TokyoMay, 2020, Tokyo 2020
A Drunk PandemicA Drunk Pandemic 2019
にんげんレストランNingen restaurant 2018
道Street 2017-
The other side 2017
Scrap & Build 2 2017
Scrap & Build 2016
Don't Follow The Wind initiated by Chim↑Pom 2015-
10th ANNIVERSARY EXHIBITION 2015
金三昧KANE-ZANMAI 2014-
パラドックスPARADOX 2014
LOVE IS OVER 2014
マッドエリイMAD ELLIE 2013-
GARBAGE 2012-
PAVILION 2012-
REAL TIMES 2011
パズルPUZZLE 2011,2014-
IMAGINEIMAGINE 2010
BLACK OF DEATH 2008,2013
広島HIROSHIMA 2008-
JAPANESE ART IS 10 YEARS BEHIND, AND ART OF THE WORLD IS 7 OR 8 YEARS BEHIND. 2008
友情か友喰いか友倒れかBecoming Friends, Eating Each Other or Falling Down Together 2008
TPA 2007
THANK YOU CELEB PROJECT "I'M BOKAN" 2007
ともだちTOMODACHI 2007
オレオレORE-ORE 2007
エロキテルEROKITEL 2007-
スーパーラットSUPER RAT 2006-
BODY 2005-

--- Overview　open/close: Chim↑Pom from Smappa!Group creates actual streets in various locations to provide a D.I.Y. public space for unspecified usage and activities. The artist collective and organizers consider streets as situations, not materials, and manage them in a (dis)orderly manner under the mantra of "nurturing streets," thus conceptualizing "public management" itself. The first street was created inside the artist collective's studio (Kitakore Building, Koenji) and connected to the public road outside through a broken gate. It is a "public space within a private space" where no rules are set and anyone can enter 24 hours a day, 365 days a year. Next, the project developed inside and outside of the National Taiwan Museum of Fine Arts, and inside the Mori Art Museum. While providing a site for dance, music, demonstrations, performances, political activities, and other miscellaneous activities, both formal and informal, the collective created its own set of regulations by continuously negotiating with the art institutions. In 2023, a "side trip" was added to an existing path connecting separate areas on the outskirts of Lisbon. As the path was located between two neighborhoods that had little interaction with each other, the local community was invited to organize festivals, live performances, and other events. This project led to Chim↑Pom, who had originally been individuals intervening in the public, becoming creators of the public in the process of critiquing the contemporaneity of the relationship between the public and the individual.